Saturday, September 12, 2015 at 7:30 pm

The young American pianist THOMAS PANDOLFI is an exciting virtuoso who, with each passing season, is becoming more and more sought after by audiences worldwide, and showered with superlatives by critics for his passionate artistry and amazing technique. His orchestral appearances often feature not only the beloved masterpiece concerti by Tchaikovsky, Rachmaninov and Liszt, but also the equally brilliant ones by Paderewski, Rubinstein and Moszkowski. Additionally in the “Pops” genre, Thomas is considered a leading interpreter of the works of George Gershwin.

Thomas’ career has already included performances with such European orchestras as The George Enescu Philharmonic, The Cluj Philharmonic, The Oltenia Philharmonic (Craiova), The Moravian Philharmonic, The National Philharmonic of the Republic of Moldova, and The Aberystwyth Symphony in Wales, as well as the American symphony orchestras of Mississippi, Cedar Rapids, Asheville, Princeton, San Angelo, York, Fairfax, Northbrook, Great Falls, and Owensboro to name but a few. He has collaborated with such conductors as Dimitru Goia, Sabin Pautza, Emil Seigbert Maxim, Peter Schmelzer, Mihail Agafita, Grigori Moseico, David Russell Hulme, Murry Sidlin, Michael Luxner, Andreas Delfs, Christian Tiemeyer, Ron Spigelman, William Kushner, Nicholas Palmer, William Intrilligator, William Hudson, Kirk Muspratt, Kim Allen Kluge, Robert Hart Baker, Crafton Beck, Lawrence Rapchak, Gordon Johnson, Philip Bauman, Anthony Maiello and Vincent Zito.

Following a performance of MacDowell’s D Minor Piano Concerto with The George Enescu Philharmonic, The Bucharest Cultural Observer lauded Pandolfi’s “virtuosity, beautiful touch, sensitivity and broad scope…logical phrasing and expressive percussiveness…a soloist whom we would like to hear again.” Of Liszt’s Piano Concerto No. 2 with the Asheville Symphony, The Asheville Citizen-Times remarked, “Pandolfi is a standout among today’s young pianists, demonstrating a great technician’s grace, finesse and polish…his virtuosity and strength might have had some believing that Liszt himself had taken over the keyboard.”

Equally popular as a recitalist, Pandolfi has appeared in concert halls nationwide. The Washington Post has described him as “an artist who is master of both the grand gesture and the sensual line. Pandolfi possesses first-rate technical skills, an unerring comma and of phrasing, a quicksilver touch and cunning legerdemain when it comes to pedaling…etched with calm and crystal clarity…outstanding.” New York Concert Review has characterized Pandolfi’s interpretations as containing “high level pianism and tasteful, diversified musical ideas…crystalline texture and deft coloration… charm and bracing elan.”

While the 2008-09 season marked Thomas’ debut recitals in Canada, Germany and China, the 2009-10 season highlighted his debut in London, as well as return engagements throughout Eastern Europe, and concerts both as recitalist and soloist with orchestras across the United States. Pandolfi released his 6th CD album during the 2010-11 season, and returned to China in August of 2011 for his second tour of that country. Additionally, he made his recital debut in Toronto during the 2011-12 season, as well as stepped in on 48 hour notice to perform the Rachmaninov Second Piano Concerto for The Alexandria Symphony’s closing concert of that season. During the last two seasons, he performed highly successful and acclaimed 15 state recital tours across the United States.

Audiences during 2014-15 will enjoy his artistry in an expanded 21 state recital tour to include the states of New York, Maryland, Virginia, Massachusetts, Indiana, Connecticut, New Jersey, Georgia, Pennsylvania, Tennessee, Florida, Washington, DC, Ohio, South Carolina, North Carolina, California, Kansas, Arizona, New Mexico, New Hampshire, and Kentucky. Thomas will also be making his debut with the Lafayette Symphony and Nicholas Palmer in The James Bond Concerto and Warsaw Concerto, and his debut with The McLean Orchestra in Rachmaninov’s Piano Concerto No. 2 under Miriam Burns on their Gala Opening Night. He will also return as guest soloist with both The Washington Metropolitan Philharmonic and Ulysses James in Brahms’ First Piano Concerto, and The Owensboro Symphony under Nicholas Palmer in The James Bond Concerto and Warsaw Concerto. Following a violin concerto for Midori, and a saxophone concerto for Brandford Marsalis, film and concert composers Kim Allen Kluge and Kathryn Vassar Kluge are now composing a piano concerto for Thomas, who is most honored and very excited to be involved in this thrilling project.

A graduate of The Juilliard School, Pandolfi earned both his Bachelor’s and Master’s degrees as a scholarship student. He is the father of two beautiful children, and resides in Washington, DC.

Follow Thomas:
Facebook: @ThomasPandolfiPianist
Twitter: @TPandolfiPiano

As part of the Ohio Valley Symphony’s mission to bring live, professional, orchestral music to the region and to instill a love of music — especially in children, the public is encouraged to attend OVS rehearsals for free at 7–10 p.m. Friday, Sept. 11, and 1–4 p.m. Sept. 12 at the Ariel. Open rehearsals are a great way to grow familiar with symphonic music, and they offer a unique behind-the-scenes glimpse at the preparation of an orchestral performance.

Single tickets to the Ohio Valley Symphony’s SUITE SOUNDS OF JAZZ cost $24, $22 (senior) and $12 (student). Tickets and more information are available at the Ariel-Ann Carson Dater Performing Arts Centre box office, 428 Second Ave., Gallipolis; by phone, (740) 446-2787 (ARTS); and through the Ariel website www.arieltheatre.org.

2015-16 Season

Join The Ohio Valley Symphony for the 26th Season featuring 5 exciting concerts in our home, Ariel-Dater Hall. Order subscriptions online or call the box office today at 740-446-ARTS!

Saturday, April 30, 2016 at 7:30 pm

Tim Berens’ multi-faceted career gives testament to his lifelong quest to learn, perform and write music. So far, his venture has led him through the worlds of classical guitar, jazz guitar, orchestral guitar, arranging, orchestration, and conducting.

During his years as the guitarist for the Cincinnati Pops Orchestra, Tim played guitar, banjo, mandolin and bouzouki on concerts, recordings, television programs, and tours. Beginning in the late 1990’s, Tim began arranging for the CPO, eventually becoming the orchestra’s principal arranger.

Tim’s arrangements caught the ears of others and he began receiving commissions from many leading conductors and major orchestras. His arrangements are performed hundreds of times per year by orchestras throughout the United States and abroad, in venues from Carnegie Hall to the Kennedy Center to the Hollywood Bowl. Tim’s arrangements receive praise from conductors, musicians, librarians, management, and listeners.

In 2010, the desire to continue learning led Tim to return to school to study conducting. Two intensive years later, he earned a Masters Degree in Orchestral Conducting. As he conducted the music of great composers like Beethoven, Brahms, Tchaikovsky, and Shostakovich, his studies of their scores enriched his skills as an orchestrator.

As a young student studying classical guitar at CCM, Tim took every opportunity to play jazz and other styles. This work prepared him well for the audition for the Cincinnati Pops. Over the following years, other orchestras began hiring Tim, and he performed with more than 20 orchestras, including the Philadelphia Orchestra, the National Symphony Orchestra and the Hong Kong Philharmonic. He played thousands of services for conductor Erich Kunzel.

Tim was featured as a soloist on many of the Cincinnati Pops Orchestra’s concerts, recordings and television broadcasts, most notably when he transcribed the piano part from “Rhapsody in Blue” for guitar, then performed it with the CPO and other orchestras.

Throughout his professional career Tim has performed regularly at jazz clubs, releasing 4 jazz recordings on the Red Mark label under his own name along the way, and he has continued working as a classical guitarist, performing Rodrigo’s “Concierto de Aranjuez” to great acclaim. 

Tim’s most nerve wracking performance took place in 1975. Not even the duet he performed with Kristin Chenoweth at Carnegie Hall induced more gut-wrenching performance anxiety than his band’s performance of Smoke on the Water in the Van Buren Junior High School Talent Show.

Craig Wagner is recognized as one of the most versatile young guitarist on the scene today. He has been a featured performer at the Chet Atkin’s Society Guitar Festival in Nashville since 1995, a festival which has showcased such jazz luminaries as Martin Taylor, Fareed Haque, Jack Wilkins and even Max Roach. Craig has also played at The Great American Guitar Show in New York, sharing the stage with guitarist such as Jimmy Bruno, Howard Alden, Jack Wilkins, Paul Bollenback, Ron Affif, Russell Malone, Gene Bertoncini and bassist Michael Moore.

As a member of the Java Men, Craig has played at venues as large as Lollapolooza, as intimate as the Knitting Factory, and as sprawling as the New Orleans Jazz Festival where they shared the bill with acts such as Victor Wooten, the Charlie Hunter Trio, and the Brian Setzer Orchestra. Craig has been featured as a solo performer at the Kentucky Arts Council’s Master Musicians Festival and is a regular performer at the Nashville NAMM show. His work has been featured in publications such as Guitar Player, Guitar One, Acoustic Guitar, Just Jazz Guitar, 20th Century Guitar, Vintage Guitar, Keyboard Magazine, The Village Voice, Cadence, Spin, and many others.

Craig graduated from Bellarmine University with a Bachelor’s Degree in Music in 1993. He has studied or taken master classes with Christopher Parkening, Jim Hall, Jimmy Raney, Tal Farlow, Attila Zoeller, Jack Wilkins, Howard Roberts, Gene Bertoncini, Cal Collins, Howard Alden and many others. In addition to his duties at the University of Louisville, Craig currently teaches at Steilberg String Instruments and for the Jamey Aebersold Summer Jazz Workshops.

Mel Bay’s “Master Anthology of Jazz Guitar Solos” features Craig’s solo on Spiders. He has also written articles for their “Guitar Sessions” which included recordings of his solo guitar work. He has recently completed several new finger-style guitar arrangements of jazz standards for a project in conjunction with Warner Bros and Mel Bay. In 1998 he released an instructional/performance video for Stefan Grossman’s Guitar Workshop video series whose impressive catalog features rare archival footage Alan Lomax’s American Patchwork Series for The Smithsonian Institution, performances by Wes Montgomery and lessons by Joe Pass, Larry Coryell, Martin Taylor and many other jazz greats.

Craig’s recording career includes Letter to St Paul (1994), Void (1999) and Orbituary (2000) with the Java Men. Recordings by the Java Men stay in regular rotation on many college and NPR stations around the country. He also has a solo recording, Color of a Mirror (1999). Craig has endorsements with luthier John Buscarino and Thomastik-Infeld String Company of Austria.

Saturday, December 05, 2015 at 7:30 pm
The Christmas Show!
The Ohio Valley Symphony

The Ohio Valley Symphony presents its most beloved holiday tradition, The Christmas Show! Order tickets early!

As part of the Ohio Valley Symphony’s mission to bring live, professional, orchestral music to the region and to instill a love of music — especially in children, the public is encouraged to attend OVS rehearsals for free at 7–10 p.m. Friday, Dec. 4, and 1–4 p.m. Dec. 5 at the Ariel. Open rehearsals are a great way to grow familiar with symphonic music, and they offer a unique behind-the-scenes glimpse at the preparation of an orchestral performance.

Single tickets to the Ohio Valley Symphony’s THE CHRISTMAS SHOW! cost $24, $22 (senior) and $12 (student). Tickets and more information are available at the Ariel-Ann Carson Dater Performing Arts Centre box office, 428 Second Ave., Gallipolis; by phone, (740) 446-2787 (ARTS); and through the Ariel website www.arieltheatre.org.

Tricks and Treats!

The Ohio Valley Symphony

Some of the ghosts and goblins that will haunt the Ohio Valley on Halloween won’t go home right away. They’ll hide in the dark corners of the Ariel Theatre, waiting for one more night of fun with The Ohio Valley Symphony.

The orchestra’s members — including music director Ray Fowler on the podium — trade their tails and bow ties for whimsical or ghoulish costumes as they offer concert-goers a full plate of musical tricks and treats. This year’s musical mayhem begins at 7:30 p.m. October 31 at the Ariel-Ann Carson Dater Performing Arts Centre in downtown Gallipolis.

It’s all part of the OVS philosophy of making orchestral music easy to love, according to the orchestra’s executive director, Lora Lynn Snow. “It gives the audience a chance to see all the people up there on stage performing live music and it gives us a chance to show off our individual personalities.”

As part of the Ohio Valley Symphony’s mission to bring live, professional, orchestral music to the region and to instill a love of music — especially in children, the public is encouraged to attend OVS rehearsals for free at 7–10 p.m. Friday, Oct. 30, and 1–4 p.m. Oct. 31 at the Ariel. Open rehearsals are a great way to grow familiar with symphonic music, and they offer a unique behind-the-scenes glimpse at the preparation of an orchestral performance.

Single tickets to the Ohio Valley Symphony’s TRICKS AND TREATS! cost $24, $22 (senior) and $12 (student). Tickets and more information are available at the Ariel-Ann Carson Dater Performing Arts Centre box office, 428 Second Ave., Gallipolis; by phone, (740) 446-2787 (ARTS); and through the Ariel website www.arieltheatre.org.